Love, Loss and What I Wore – Contemporary Theatre of Dallas


“Serrecchia has placed the storytelling within an artistic environment inspired by the artist, Christo, and his wrapping of the Reichstag in Berlin in 1995. For Christo, wrapping environments is not about the wrapping itself, rather it is about the fragile, temporal and sensory aspects of the fabric. Having observed the wrapping of the Reichstag, Serrecchia recognizes a connection between Christo’s artistic expression and the wrapping of women in our emotions through the fabric of our clothing. Associating this play with the art of Christo demonstrates a conceptual sophistication that is sensorial.”

— Janice L. Franklin – Theater Jones